Linda Finn

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My creative practice has evolved from a connection to found objects and correspondence that concern memory and time. Elements of classification become apparent as objects, images and marks are grouped, situated and layered according to the particular narrative being explored.

All types of found objects become part of an inventory in my studio. Stones, bones, worn wood, and rusty bits, insects, cocoons—almost anything that can be carried is useful.When beginning a piece, a found object is sometimes the primary source of inspiration, recalling a memory or sensation; often I use snippets of poetry, conversation or puns to prompt the process of discovery and interpretation. By using acrylics, handmade paper and stitchery, marks and texture are built up in some areas while colour is layered until the piece acquires a history. By placing an object or small sculptures within a piece, the commonplace takes on a new meaning.

My assemblages  provoke memories and encourage closer scrutiny. The result is a commentary intended for speculation and intuitive comprehension, though not necessarily completely understood by the viewer.